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ORCID19th Audio Mostly Conference 2024: Milan, Italy
- Luca Andrea Ludovico, Davide Andrea Mauro:
Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures, AM 2024, Milan, Italy, September 18-20, 2024. ACM 2024, ISBN 979-8-4007-0968-5
Session 1: Sonification and Sound Design I
- Kasper Fangel Skov
, Jon Francombe, Dimitrios Raptis, Jesper Kjeldskov:
Tuning Shared Living Spaces: Acoustic Comfort through Domestic Sound Zones. 1-10 - Stefano Delle Monache, Andrea Cera, Sandra Pauletto:
From data to dialogue: "Earth Electric', a sonic journey through global energy landscapes. 11-21 - Gianluca Elia, Dan Overholt:
Musicking with dynamical systems: introducing a digitally-controlled analog no-input mixer. 22-36 - Paul Joseph Richard Evans, Daniel Fredriksson, Tanja L. Jörgensen, Rikard Lindell:
Evangistrum: a cooperative audiovisual instrument informed by resonance theory. 37-42 - Prithvi Ravi Kantan, Sofia Dahl, Helle Rovsing Jørgensen, Erika G. Spaich:
Making Movement Sonification Usable in Clinical Gait Rehabilitation: A User-Centered Study. 43-60 - Prithvi Ravi Kantan, Sofia Dahl, Erika G. Spaich:
Developing Enjoyable Auditory Feedback Paradigms to Alleviate Toe Walking in Children with Cerebral Palsy. 61-67
Session 2: Communicating and Interacting with Sound I
- K. C. Collins, Adel Manji:
Comparing Paid and Volunteer Participants in Emotional Responses to Sound. 68-76 - Georgios N. Marentakis, Arman Balic:
Situational impairment due to walking with conversational versus graphical interfaces. 77-85 - David Larsson Holmgren, Nicolas Misdariis, Sandra Pauletto:
Investigating the effectiveness of sound descriptors for non-expert listeners. 86-92 - Rory David Hoy, Doug Van Nort:
Human-Machine Co-creation in an Electroacoustic Ensemble Performance Context. 93-104 - Doga Cavdir:
Auditory-Tactile Narratives: Designing New Embodied Auditory-Tactile Mappings Using Body Maps. 105-115 - Pierre-Valery Njenji Tchetgen:
Can multimodal rhythmic interaction impact the literacy and socio-emotional development of children: the case of the African Talking Drums. 116-129
Session 3: Communicating and Interacting with Sound II
- Steven McSeveney, Monica Tamariz, Iain McGregor, Babis Koniaris, Kenny Mitchell:
Auditory Occlusion Based on the Human Body in the Direct Sound Path: Measured and Perceivable Effects. 130-143 - Raquel Lucena, Rafael Ramírez:
A machine learning approach to gesture detection in violin performance. 144-151 - Ruben Schlagowski, Silvan Mertes, Dariia Nazarenko, Alexander Dauber, Elisabeth André:
XR Composition in the Wild: The Impact of User Environments on Creativity, UX and Flow during Music Production in Augmented Reality. 152-161 - Daniel Hug, Sascha Ketelhut:
Sonic Shuttle Run: Leveraging Sound Design to Improve Affective Response and Performance in Maximal Exercise Tests. 162-173 - Jacob Diffen, Andrew Johnston, Robert Sazdov:
Aural Architects: Exploring Professional Practice in Videogame Audio. 174-180 - Esther Gruy, Florent Berthaut:
Musical Drawing in 2D and 3D: Dimensions and Perspectives. 181-188
Session 4: Sonification and Sound Design II
- Christina Georgiou, Areti Andreopoulou, Fiori-Anastasia Metallinou, Tilemachos Moussas, Anastasia Georgaki:
Micropolyphony and Stochastic Compositional Techniques as Tools for the Sonification of Magnetic Storms. 189-197 - Thor Magnusson, Kit Braybrooke, Sophie Skach, Giacomo Lepri, Marco Donnarumma, Adam Pultz Melbye, Jack Armitage, Victor Shepardson, Nicola Privato, Miguel Angel Crozzoli, Halldór Úlfarsson, Sean Patrick O'Brien:
The Organium: A Library of Technical Elements for Improvisatory Design Thinking. 198-208 - Axel Hultman, Maurizio Goina, Roberto Bresin:
Interactive sonification helps make sense of the negative environmental impact of vessel traffic in the Baltic Sea. 209-217 - Minsik Choi, Josh Andres, Charles Patrick Martin:
Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction Design. 218-228 - Charalampos Saitis, Bleiz Macsen Del Sette, Jordie Shier, Haokun Tian, Shuoyang Zheng, Sophie Skach, Courtney N. Reed, Corey Ford:
Timbre Tools: Ethnographic Perspectives on Timbre and Sonic Cultures in Hackathon Designs. 229-244 - Hannah Walter, Eric Larrieux, Robert Torche, Cedric Spindler, Patrick Müller:
NEXUS: A Tangible Multi-User Sensor-Based Telematic Novel Mixing-Interface for Multimedial Exploration. 245-259
Session 5: Music and Information
- Federico Simonetta, Rishav Mondal, Luca Andrea Ludovico, Stavros Ntalampiras:
Optical Music Recognition in Manuscripts from the Ricordi Archive. 260-269 - Domenico Stefani, Gregorio Andrea Giudici, Luca Turchet:
On the Importance of Temporally Precise Onset Annotations for Real-Time Music Information Retrieval: Findings from the AG-PT-set Dataset. 270-284 - Maximos Kaliakatsos-Papakostas, Asteris I. Zacharakis, Konstantinos Velenis, Emilios Cambouropoulos:
Rebetiko Singer Identification: Fine-tuning and explaining deep pretrained transformer models. 285-291 - Daniel Ethridge, Luis X. de Pablo, Grace Leslie:
Low-Level Audio Feature Correlates to Physiological Arousal: A Secondary Analysis of the DEAP Dataset. 292-301 - Federico Simonetta, Francesca Certo, Stavros Ntalampiras:
Joint Learning of Emotions in Music and Generalized Sounds. 302-307 - Nishal Stanislaus Silva, Luca Turchet:
Real-Time Pattern Recognition of Symbolic Monophonic Music. 308-317
Poster 1: Mostly, Audio
- Trinity Melder, Richard Savery:
Artificial Intelligence and Home Music Listening_An Overview And Future Directions. 318-324 - Andreas Schmid, Maria Ambros, Johanna Bogon, Raphael Wimmer:
Measuring the Just Noticeable Difference for Audio Latency. 325-331 - Filippo Denti, Davide Fantini, Federico Avanzini, Giorgio Presti:
PAN-AR: A Multimodal Dataset of Higher-Order Ambisonics Room Impulse Responses, Ambient Noise and Spherical Pictures. 332-340 - Matthew Peachey, Joseph Malloch:
Maplet: Integrating Distributed Data Signal Mappings for Performative Interactions Within the Eurorack Modular Synthesizer Ecosystem. 341-347 - Johanna Holzinger, Alexander Heimerl, Ruben Schlagowski, Elisabeth André, Silvan Mertes:
A Machine Learning-Driven Interactive Training System for Extreme Vocal Techniques. 348-354 - Daniel Flores García, Hugo Flores García, Matteo Riondato:
ClaveNet: Generating Afro-Cuban Drum Patterns through Data Augmentation. 355-361 - Renick Bell, Steve Wang, Yiler Huang, Reina Chen:
Live Coding Melody and Harmony in JavaScript. 362-372 - Jacob Hedges, Robert Sazdov, Andrew Johnston:
Keeping your ears on the virtual ground: Expert insights on virtual reality audio techniques and challenges. 373-384 - Steve Symons:
The Perceptron: A Multi-player Entangled Instrument based on Interpretive Mapping and Intra-action. 385-391
Poster 2: Interfaces and Tools
- Trinity Melder, Richard Savery:
Harmonious Touch: Haptic Wristband for Home Listening Experience. 392-398 - Alessio Bellino, Davide Rocchesso, Rosario Mulè, Luca D'Arrigo Reitano:
Multisensory Trajectory Control at One Interaction Point, with Rhythm. 399-404 - Aliénor Golvet, Benjamin Matuszewski, Frédéric Bevilacqua:
Designing a distributed musical instrument for collective improvised interaction. 405-420 - Björn Bernreiter, Katharina Vogt, Marian Weger:
Evaluating Dextoria - A modular, embedded system to control electric guitar effects via sound-producing gestures. 421-428 - Sean Luke, Filippo Carnovalini:
A Hierarchical, Modular Music Sequencer. 429-438 - Eoghan Ó Néill, Miguel Ortiz:
From Prototype to Performance Practice: Reflections on Iterative Instrument Design. 439-444 - Aleksandar Koruga, Koray Tahiroglu:
Dance Movement and Sound Cross-Correlation; Synthesis Parameters on the Micro and Meso Musical Time Scales. 445-456 - Daniel Bisig, Pablo Palacio, Muriel Romero:
Translating Dance Principles Into Other Modalities. 457-467 - Iurii Kuzmin, Zhengyang Ma, Raul Masu:
Locality and Digital Musical Instruments Design: A User Study. 468-478
Poster 3: Sonification and Sound Design
- Stefano Delle Monache, Rob Moleman, Elif Özcan:
Soundstorm, a collaborative ideation game for sound-driven design. 479-486 - Marte Roel Lesur, Laia Turmo Vidal, Karunya Srinivasan, Pablo Palacio, Muriel Romero, Ana Tajadura-Jiménez:
Articulating body experiences in reaction to movement sonifications: A workshop strategy for early research inquiries. 487-491 - Rod Selfridge, Stefano Delle Monache, Sandra Pauletto:
Sound design ideation: a structured and systematic analysis. 492-501 - Katharina Groß-Vogt:
The letter day project - designing sonic interaction for learning letters. 502-510 - Abhishek Choubey, Andrea Cera, Sandra Pauletto:
Sonic Blankets: exploring the use of sound-augmented blankets for relaxation and sleep. 511-524 - Tate Carson, Carter Gordon:
Resonant Landscapes. 525-532 - Kimaya Lecamwasam:
The Distance Between Us: Exploring the COVID-19 Intensive Care Unit Through the Soundscape of Biometric Monitoring. 533-542 - Regis Rossi Alves Faria, Daniela Souto, Lyara Luísa de Oliveira Alvarenga:
A diasporic sound immersion experience on board a slave ship. 543-548
Demos
- Giacomo Lepri, Nicola Privato, Thor Magnusson:
Embodied Sketching for Neural Synthesis. 549-551 - Nishal Silva, Luca Turchet:
Demo of a smart musical instrument-based real time pattern detection system. 552-554
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