Skip to main content

You are not logged in. Your edit will be placed in a queue until it is peer reviewed.

We welcome edits that make the post easier to understand and more valuable for readers. Because community members review edits, please try to make the post substantially better than how you found it, for example, by fixing grammar or adding additional resources and hyperlinks.

5
  • 3
    $\begingroup$ Please vote on this meta question to get code highlighting activated on this site. $\endgroup$ Commented Dec 31, 2021 at 19:42
  • $\begingroup$ I guess perhaps my expectations are unrealistic in the time domain, all of these time domain based guitar effects have a similar kind of noise buildup when feedback is introduced into the pitch shift $\endgroup$ Commented Dec 31, 2021 at 20:47
  • 1
    $\begingroup$ I guess I don't quite grok the question. The pitch shifter should be defined as an encapsulated block that itself has some mean delay. Now you can surround that block with feedback and a summing node at the pitch shifter input. Now if you're doing something different than that, you need to explain to us how it's different and why it's done that way. $\endgroup$ Commented Jan 1, 2022 at 6:18
  • 1
    $\begingroup$ pitch shifting with feedback is not an uncommon effect for chorussing guitars and also for a sorta crystal "tinkling" effect. if there is no discontinuity in the mathematics of the variable delay or in the crossfading in the delay line (that time-domain pitch shifters do), and if the audio contains no clicks, I dunno where a click would come from. $\endgroup$ Commented Jan 1, 2022 at 6:26
  • $\begingroup$ I voted to close this question because I think what I am hearing is not a true discontinuity but simply the sound of the effect. After listening to demos of similar guitar effects I'm convinced this is simply how it sounds (you may ask, how did I expect it to sound? I think with more 'glissando') $\endgroup$ Commented Jan 4, 2022 at 16:02