Jeremy Keith

People of Brighton, mark your calendars: Saturday, April 4th. That’s when Salter Cane will be playing in The Hope And Ruin.

It’s not just Salter Cane though. We’ll be joined by Skyscrapers from Lewes, and The Equatorial Group from Eastbourne. We’ve played with them before, and they’re superb!

Tickets are available now. They’re £8 in advance. It’ll be £10 on the door. So please get your ticket in advance!

Doors are at 7:30pm. Skyscrapers will be on stage at 8pm, The Equatorial group at 9pm, and Salter Cane at 10pm.

I’m really, really looking forward to rocking out playing songs from our newest album and I would love it if you could make it.

See you there!

I was in the library the weekend before last when I spotted something on the shelf of recently-returned books. Project Hail Mary by Andy Weir.

I knew the film adaptation was coming out later that week. Ideally, I’d like to read the book before seeing the film. It would be a race against time! The film would be out in days, and the book is over 450 pages long. Could this nerdy white guy rise to challenge and overcome the odds?

As it turned out, it wasn’t all that arduous. Project Hail Mary is a real page-turner, just like Andy Weir’s previous book, The Martian.

But his books are worryingly regressive. The so-called golden age of science fiction featured plenty of plucky white science guys saving the day with their brainpower in books written by white science guys. Andy Weir’s books have a similar outlook.

On the other hand, they’re undeniably fun. And who knows? Maybe his next book will feature a protaganist that isn’t an aw-shucks white guy.

(Update: multiple people have pointed out that I completely missed that Andy Weir’s other book, Artemis, features a refreshingly different kind of protaganist—phew!)

Project Hail Mary is packed with plenty of plausible-sounding science. Perhaps too much. After a while it felt like elements were being added to the story to showcase the author’s smarts rather than to propel the plot.

Over all, the book is good entertaining fun but a bit baggy and could’ve been edited down somewhat.

I was interested to see how the film would translate the science from the written page to the screen. Very commendably, as it turns out.

The film does a great job of avoiding expositional blackboard sequences or explanatory dialogue. Wherever possible, it shows rather than tells. It helps that it doesn’t underestimate what the audience can handle.

Above all, it’s entertaining. Popcorn was invented for this kind of film. Ryan Gosling does his usual entertaining shtick, though I kept thinking that Sam Rockwell would’ve really delivered the goods.

The film trims the book down to its essentials. I didn’t miss any of the elements they chose to cut. I did spot one glaring mistake, but that was continuity error rather than anything to do with the science.

Project Hail Mary the film is better than Project Hail Mary the book. Go see it. And if it leaves you wishing for more, then you can always read the book.

How to be a web developer: Stuff Everybody Knows

This is a guide to how to be a web developer.

Really good advice from Laurie.

What this site is not is a tutorial. Tutorials are very specific to a time and a technology. This is intended to be a guide to tell you all the things you can learn, so you can then go off and learn them.

What we think is a decline in literacy is a design problem | Aeon Essays

The choice isn’t between books and screens. The choice is between intentional design and profitable chaos. Between habitats that cultivate human potential and platforms that extract human attention.

Flood fill vs. the magic circle

Eleven years ago, I wrote:

Sometimes I consider the explosive growth of computation and think that strong AI is a near-term inevitability.

Then I remember printers.

That was just a brainfart, but Robin tackles it seriously in his thoughtful essay.

A pleasing image: if indeed AI automation does not flood fill the physical world, it will be because the humble paper jam stood in its way.

Software cannot, in fact, eat this world. Software can reflect it; encroach upon it; more than anything, distract us from it. But the real physical world is indigestible.

You should come to UX London in the first week of June. Why? Because it’s going to be awesome, that’s why!

You probably knew that already. You probably already decided to get a ticket because you’re smart like that.

But don’t dilly-dally! Early-bird tickets are available now but in just over one week, they won’t be.

So get your ticket by Friday, March 27th. If you get your ticket now, it’s a win for everyone. You get a cheaper ticket. We know for sure that you’re coming.

Every time someone buys a conference ticket in plenty of time, the conference organiser sleeps a little better at night.

If you need to convince your boss, you can give them these reasons to attend. I even made an email template you can use a starting point for making the case.

You could come for all three days of UX London, or you can pick just one day.

Tuesday, June 2nd is discovery day with a focus on user research. You’ll hear from great speakers like Melin Edomwonyi and Maria Isachenko as well as getting workshops from Natasha den Dekker and Feyikemi Akinwolemiwa.

Wednesday, June 3rd is design day where it’s all about the nitty-gritty details. Not only will there be great talks from Andrea Grigsby, Julia Petretta, and Hidde de Vries, there’s going to be the best-named workshop ever from my colleague Chris How: Yippee IA!

Thursday, June 4th is delivery with a focus on design systems and collaboration. Alex Edwards, Lucy Blackwell, Rachel Ilan Simpson and Ben Callahan will all be giving talks (and Ben’s doing a workshop too).

That’s not even close to the final line-up. I’m confirming more speakers right now and getting very, very excited about how it’s all shaping up.

You know you don’t want to miss this one. So get your early-bird ticket now while you still can.

ZIP Code First

I mean, I would ask for the country first (because not all countries have zip/postal codes), but the point stands…

Web of State of the Browser Day Out

A lovely post from Remy about State Of The Browser and Web Day Out.

Working with agents doesn’t feel like flow — Bill de hÓra

Related to Matt’s thoughts:

…working with agents feels much less like classic deep work, and much more like playing a game. Not to say the work is frivolous—it’s just because it feels like I’m in a game loop.

Flow, at least in the usual sense for me, feels smooth and continuous. The work and your attention starts to line up so cleanly that the experience becomes frictionless. You disappear into the work and meld with it. One notable aspect of flow has been I lose track of time. Working with agents on the other hand, is not like that at all. It’s highly engaging, but in a more jagged, reactive way. I’m focused, but not settled. I’m absorbed, but not merged with the task. I’m paying close attention the whole time, but the attention is dynamic and tactical rather than continuous. I don’t lose track of time at all.

The Last Quiet Thing | Terry Godier

Most of your screen time isn’t leisure. It isn’t addiction. It isn’t even a choice.

It’s maintenance.