Straight man
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The straight man, also known as a "comedic foil", is a stock character in a comedy performance, especially a double act, sketch comedy, or farce.[1] When a comedy partner behaves eccentrically, the straight man is expected to maintain composure. The straight man is a foil, a contrasting character to the funny man. The direct contribution to the comedy a straight man provides typically comes in the form of a deadpan.
A straight man with no direct comedic role has historically been known as a stooge. Typically, he is expected to feed the funny man lines that he can respond to for laughs (and is hence sometimes known as a feed), while seeking no acclamation for himself.
History
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In vaudeville, effective straight men were much less common than comedians. The straight man's name usually appeared first and he usually received 60% of the take. This helped take the sting out of not being the laugh-getter and helped ensure the straight man's loyalty to the team.[2] Abbott and Costello, one of America's most popular comedy duos of the 1940s and 50s in radio, film and television, began as nightclub performers when the straight-faced Bud Abbott contrasted against the bumbling Lou Costello; Abbott, unusually, allowed Costello a larger paycheck to keep him on the team.[citation needed]
Jerry Seinfeld is a famous example of a straight man act in his Seinfeld sitcom.[3]
Women
[edit]Many actresses have played under the role. Examples of noteworthy straight women include Margaret Dumont, who often performed with the Marx Brothers in their films, Bernardine Flynn up against Art van Harvey on Vic and Sade, Marian Jordan against her husband Jim on Smackout and Fibber McGee and Molly, and Pam Dawber, who performed with Robin Williams on the television series Mork & Mindy. Selena Gomez plays the comedic foil to Steve Martin and Martin Short on the Hulu series Only Murders in the Building.[citation needed]
Popular culture
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The role is still found today in sitcoms and several Japanese comedy manga, where they are known as tsukkomi.[citation needed] Prominent sitcom characters illustrating this role include Jim Halpert from The Office, Michael Bluth from Arrested Development, and Ann Perkins from Parks and Recreation.[citation needed] Some notable tsukkomi characters include Shinpachi Shimura and Toshiro Hijikata from Gintama, Kyon from The Melancholy of Haruhi Suzumiya, Himeko from Sket Dance, Saiki Kusuo from The Disastrous Life of Saiki K., Mio Naganohara from Nichijou, and Tadakuni from Daily Lives of High School Boys.[citation needed]
See also
[edit]References
[edit]- ^ Shifreen, Lawrence J. (1977). "The "New Wave" of Standup Comedians: An Introduction". Department of American Studies. American Humor. 4 (2, 'Special Issue: Standup'). University of Maryland: 1–3. JSTOR 42594580.
The idea of the comedy team afforded another type of humorous conversation, with one party adopting the role of the "straight man" and the other as the "funny man." The best known of these teams was Burns and Allen. The key to their humor was George Burns' timing and Gracie 's dizzy responses to Burns' questions (i.e. George Burns and Gracie Allen). The sexist role of the batty woman, as seen through Gracie's perceptions, borders on madness and sheer child-like wonder and presents a new role that would be homogenized in the character of Lucille Ball.
- ^ Nachman, Gerald (1998). Raised on radio: in quest of the Lone Ranger, Jack Benny. New York: Pantheon Books. p. 36. ISBN 978-0-375-40287-6.
- ^ Wallenfeldt, Jeff. "Seinfeld". Encyclopedia Britannica. Archived from the original on 2026-01-13. Retrieved 2026-03-27.
Produced and sometimes cowritten by Seinfeld, the quirky and widely watched show emphasized loosely structured stories, seemingly insignificant subject matter, and a buddy system of comedy in which the Jerry character often played a straight man to his three tightly wound screwball friends.