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... Unfortunately, I know nothing of the proposed crossover with Old Guard (Top Gun: Maverick), so my muse is completely uninterested.

In hopes of inspiring stories to match the art, the moderators are extending the claiming period. You can see the artwork here.

To help locate the artworks, and/or pique your interest, here's a list of the fandoms for the unclaimed art --

#2 H50

#3 Star Wars

#7 NCIS (Ducky & Tom Morrow centric)

#8 H50

#9 NCIS x SGA

#15 Legend of Zelda

#17 Top Gun: Maverick x The Old Guard


I have only the vaguest idea how reverse bangs work. I assume that, if you feel inspired, you'll find directions on the page.

Feel free to link to this post to spread the word, or write your own post for fandom-specific spaces.
 
starwatcher: Western windmill, clouds in background, trees around base. (Default)
 

Title quote is from my dad; he often complained that the new iteration of anything was less useful/convenient than the now "outdated" model. My experience indicates that that's very often true.

Explanation -- Kindle and iPad woes.

Requesting advice -- use of Calibre and Calibre Companion.

I'm cutting the whole thing for pics and length. )
 
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Well, my muse insisted. When I recc'd Sha Ka Ree today, she wanted a "better' cover.

Fair enough, I suppose. The first one was pretty much just slapped together -- something to make it easier for me to recognize the story in my iPad, but definitely not my best or most creative effort.

When I glanced over this story again, that cover seemed too bland and "blah". And it suddenly occurred to me -- no idea why I didn't think of it the first time -- that using a nebula as part of the background would be stupendous. I think it certainly dresses up cover #2.

There are certainly worse ways to spend a Sunday afternoon. I'll just finish watching the Olympics tomorrow (finals equestrian and rhythmic gymnastics) tomorrow instead of today.

 
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Although it's not that dire. The thing is, I don't know what I don't know.

A few days ago, I saw this delightful piece of art at AO3. Part of the comment I left for the artist said, "Did Joe lose a bet? Is he sleeping and staying asleep through the procedure because his subconscious is comfortable with Nicky right beside him? Are they going to some kind of gay gala tonight? Oh, the possibilities..."


And I left it at that -- I thought. Unfortunately, the idea won't let me go, and my muse insists that I write the story. But I have a big problem... I've worn makeup maybe six times in my entire life, and the last time was 30 years ago. (Stage makeup doesn't count; it's a whole different beast. But that also ended 30 years ago.) As regards makeup for going to some big shindig, I know nothing, and don't even know what I don't know.  I've been searching google images and youtube, and I'm floundering. 



So I'm hoping some of my friends' list have experience -- or just ideas of what you'd like to see -- and can offer some suggestions and/or good links to research. I don't even know what to ask.  Do you think heavy "glam", or subtly enhancing the eyes?  What colors? 

And -- it just hit me this morning -- Nile wears beads in her hair. (No not in the movie. But post-movie, hair-beads could definitely be a thing.) Would Joe wear beads in his beard?  (I want Joe to wear beads in his beard.) 

Any help you can offer would be deeply appreciated. And not just for Joe -- once Nile gets started, everyone will want her to do them, including Booker and Quynh. (Everybody lives, nobody dies, they're all back together and we don't need to know how or why.)

I feel kind of silly, tackling a subject about which I know so little, but I can't stop grinning about the idea of Nile doing makeup for everyone, so onward and upward. 

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In your own space, create a fanwork. Leave a comment in this post saying you did it. Include a link to your post if you feel comfortable doing so.


Well, I did say -- and only a week ago! -- that "creating a work" might only be delayed. A day or two after that (I lose track of time), I decided to compile one of my favorite series (Nile/Booker, flirting their way toward a relationship) into a single Word document, for uploading to my iPad. As I formatted it to my reading specifications, my muse jumped up and insisted on a cover.

So I spent a couple of days working on it, and called it good. But as I prepared to put it at the top of the document and offer the code to the author, I looked at the various elements I'd selected -- indicating specific points from separate stories in the series -- and realized that I could put each element in a separate cover, so that those particular stories could have their own cover.

After another two days, I have eight covers! Since it's a series, I maintained some unifying elements -- background, font style & color, and the Nile/Booker picture I put together -- so it looks somewhat repetitious when viewed in sequence. But how often will anyone view them in sequence like that? And I just had to use the same Nile/Booker picture each time; they're so pretty together. I regret nothing. 😉


That's all; just had to make a post so I can announce it at Snowflake Challenge. At least tonight, I'll get to bed before 3:00 A.M, which I've done the past three nights; when I'm working on a new cover, I'll promise myself "just one more little section" until I can't keep my eyes open anymore.

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I have plans to finish Fandom Snowflake, by my muse hijacked me with another cover idea. Okay, that will fill in the "create a fanwork" part of the challenge, but there's a lot of bits and pieces, so it will take a few days.

The thing is, I use Photoshop Elements, which is less flexible than the full Photoshop, and I use an older version -- 9, I think; I bought the program outright, when that was still a thing. I don't need much more flexibility than I already have, and I refuse to pay a yearly subscription fee to be allowed to use the newer versions. But, many times, I don't know what I don't know, so I make things harder for myself.

My method is to choose my elements (cup of coffee, plate of cookies, whatever), then use a neutral color to paint over the entire background of stuff that I don't want in my finished cover. When that's done, I can tell PS to "erase" (make transparent) everything of this color. Then I can "slide" that image onto the background I've chosen, and play with sizing and positioning until I'm satisfied.

The really time-consuming part is painting next to the edges of the item in question. I have to enlarge the picture hugely and use a tiny "brush" -- 10 to 25 pixels, depending on the degree of enlargement -- and creep along the edge of the item, trying to produce a smooth line. It ain't easy; my finger tends to drag on the mousepad of my laptop, and my stylus control is shaky; I have less smooth lines when I try to use one. I even bought a mechanical mouse, thinking that would help, but it didn't. So I just go slow, then enlarge even more to smooth out the 'bumps', one click at a time.

For most picture-elements I've chosen, there's no other way; the edges are irregular (someone's hair, a leaf, a cookie), and the standard round "brush" -- which may hit the edge of the element with only 3-5 pixels is okay. (Though if I had my way, the brush would be pen-nib shaped instead of round -- 3-5 pixels at a point, with the "brush" streaming back from that point in a kind of V-shape, or even a U. A round shape makes it hard to get into the teeny spaces, like between tufts of hair.)

But occasionally, I need to clean a straight-edge -- the side of a building, or a book, or something similar. Making a perfectly straight line with a round "brush" is impossible, at least for me. Gee, if I had a square brush, I could click-move, line up-click-move, etc, etc. So I went Googling to see if I could find a square brush.

<sigh> I found that it should be possible... if I had a newer version of Elements, or the full PS program. The problem is, even when I specify "Elements" in my search, many of the articles I click on are giving directions for the full program. <sigh>

But then I stumbled across this wonderful hint:

To draw a straight line, click a starting point in the image.
Then hold down Shift and click an ending point.



Wheeeee!!!



All of a sudden, straight edges are so easy; my time to clean those edges has decreased by at least 75%. I still have to line up carefully, or try again when I wasn't quite close enough, or do it in short sections because it's not completely straight, but it's a huge time-saver. My current cover has straight edges on two pens and a notebook. (But it's spiral bound; cleaning between those spirals is a real treat.)

I'm so pleased to have found this... but I sure wish I'd gone looking a year ago. I just went through my previous covers; 23 out of 51 -- almost 50% -- had elements with straight edges, where I could have used this technique.

Oh, well. As always, better late than never. And now... another hour of spiral-cleaning, then I'll eat supper.

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and tooting my own horn a little. I made an AO3 post with all my transcript links, but was advised that [a] a links post isn't considered acceptable and [b] just adding description to a dialogue transcript wouldn't be considered transformative enough. I would protest if someone tried to claim that (seriously?!), but okay, I can fix these things.

I made a master post with all the links for the different transcript versions; if you're planning to bookmark or share a link, that's probably the best one to use.

And then I decided to create title art, so that my post would be "transformative" enough. I often have only a vague idea of what I want to make until an image jumps out at me, which was the case here. But when I selected this one, I realized I was looking at "found family". I don't remember if [personal profile] sheafrotherdon or [personal profile] sholio talks about that, but that theme resonates with me, too. As soon as I recognized that, I had to celebrate it within the art... and realized that it dovetails very neatly with Andy's credo of "together". And so...

Andy in front of Copley’s bulletin board, facing viewer, with Nile, Nicky, and Joe ranged behind her. 'Found' text slashes downward between Nile & Nicky, 'Family' text slashes downward between Andy & Joe. Text reads 'The Old Guard Movie Transcript' in a black band below the picture.




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It occurs to me that, if I want to see content on DW/LJ, I should provide some.

I've always been content with my own company, so staying home is no biggie. And of course, I have plenty of space to roam outside if I want to. But in the past few months, I've added two new hobbies to help me keep busy.

Way back last May or thereabouts, I started making title art for stories I enjoyed. At first I just researched pictures of characters from other shows that I didn't know when they showed up in crossover stories before I started reading said stories. But my visual memory -- especially for faces -- isn't strong. So I started copying and pasting the pictures of those characters into a Word doc so I could refer back to them at need. And then one day I was baby-sitting N's dog while she and her hubby had to be out of town. (The dog had had back surgery several months previously, and seemed like she might be heading for a relapse a couple of days prior to this, but my friends had doctor's appointments in Lubbock, so they couldn't ignore the trip. I stayed with the dog so I could rush her to the vet if she had sudden problems. Fortunately, she was fine, and so were my friends.)

So there I was, reading a story that I'd been waiting for the author to finish, a crossover of NCIS and Teen Wolf. Now, I've not seen even one episode of TW; I have only the vaguest notion of what it's about from things I've read on DW/LJ. So I looked up what the main characters look like and jumped into the story. But, within a couple of chapters, my muse wanted me to make cover art. (I still don't know why. My theory is that I'd seen so much good art connected to so many good stories in the months prior to that it just sparked something; I dunno.) Anyway, I spent the entire rest of the day -- before I'd even finished reading the story, you'll note -- producing this title art.

Cut for long, meandering story. )
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The talented [livejournal.com profile] naamah_darling has refurbished and decorated several My Little Ponies this year. Cindy *waves at Cindy* needs decorating ideas for her grandkids and wants to see the pictures, so I'm putting links here, where she can find them.

If you are fond of My Little Pony, and haven't seen these, they're well worth a look; Naamah does lovely work. Be patient -- pages are slow to load; each showcases six or more pictures.


Snowbright Fairy Pony


Halloween Twin Ponies


Stormlight Weather Pony


Stolen Kisses Pirate Pony


Briar Rose Pony


Amor Volat Pony


Chandraki Peacock Pony

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Here's a site with pictures of "flame fractals". Some gorgeous patterns!

I grew up listening to Tennessee Ernie Ford (among others); I know all the lyrics to "16 Tons". Here's a youtube vid of John Denver singing "18 Holes" to the same tune. The sound isn't great, but any golfers in your life might get a kick out of it.

And here's a site with the questions of the US Citizenship Test. (I got 96%; don't always know which president went with which war.) Saving it mostly to pass on to the teachers at school; they might like to use it as extra credit for students, or something.

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This week was the big annual Arts and Crafts fair. I went on Sunday (Saturday was a hot-air balloon fiesta in Artesia; I'll post when I have some pics edited). Mostly I was hoping to see Maria Plum, the native American woman who does the horsehair pottery. I haven't seen her for two years, so was tremendously pleased to find her back. (She's had some RL problems; we shared "It's been one damn thing after another" stories.)

Anyway, I found a gorgeous piece for my sister, a cute little thing for a friend of a friend, and this...

Wolf-Bear-Eagle


Recently, Maria's been playing with adding color to the pieces. Frequently, I prefer the plain white background, but this pieces really works; the colors make the animals look more "real", somehow. It's not exactly 'Sentinel', but it's so stunning that I figure someone out there will want it. I'll get to enjoy it till June, then submit it for the Moonridge auction next year. It's a good size -- 11" from base to top of eagle's head, and 10" from wolf's nose to side of bear's head.

Anyway, couldn't resist showing it off. I assume we'll have a Moonridge auction next year -- *waves to Aly* -- so you can start saving pennies after the Christmas bills are paid. <g>
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starwatcher: Western windmill, clouds in background, trees around base. (Default)
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So, school started last week. (I know; way too early. OTOH, we also get out early -- end of May.)

Anyway, some of the art projects in school last year were cute and/or innovative. I know some folks who watch me are connected with a school, or have family members who are connected. So, if anyone needs some ideas for art projects this year... have at it!

Read more... )
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Copying my picspam post...

The first or second week of March, several of us speech therapists traveled to Austin, TX for a speech conference. Thursday was good, Friday was a mess, and I took Saturday off for pictures. Went to the "zoo", but it wasn't much -- smaller even than Moonridge, and little opportunity for good pictures. So when the cabbie picked me up, we went looking for the Ladybird Johnson Wildflower Center (or something like that). It was too early in the spring for a lot of flowers to be blooming, but I got a few nice pictures, nothing spectacular.

However, they were advertising an art show at the on-site 'Learning Center', and I went in to see. Wow! The blurb at the entrance read, Wildflowers... Butterflies... Hummingbirds. Shou Ping creates her art with watercolors, but her real specialty is what she calls "paper sculpture". With a pair of scissors, she expresses herself and transforms an ordinary painting into a 3-dimensional work of art that speaks to the heart and the senses. Each unique, intricate piece is created over a lengthy period.

That doesn't do her artwork justice, and neither do these pictures but, oh well... Not only are the colors lovely and delicate, and the subjects rendered with an amazing realism, they're in 3-D!!! The folds and curves of the leaves and petals stand out from the background, giving each picture an amazing depth. Unbelievably beautiful, and I really considered buying one... but the prices started at $1,200 and went up. *sigh* (Not that I don't think they're worth it, but I couldn't afford it.)

Because of the 3-D work, each painting had a glass front, and it was difficult to get decent pictures while avoiding the glare from lights and windows. I could only manage eight out of a couple of dozen pieces, and two of those were poor quality, so deleted. And some of these proportions are a bit wonky, because I had to angle the camera to work around the glare. But I think you can get the effect, especially if you click through to the larger picture (link provided). Remember, the foreground curled leaves and petals really are; the butterfly's wings were free-standing from the background. Most of the shadows you see are cast by the 3-D parts of the picture, not painted in. Truly, truly gorgeous.

Right this way. )
starwatcher: Western windmill, clouds in background, trees around base. (Default)
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Copying my picspam post...

The first or second week of March, several of us speech therapists traveled to Austin, TX for a speech conference. Thursday was good, Friday was a mess, and I took Saturday off for pictures. Went to the "zoo", but it wasn't much -- smaller even than Moonridge, and little opportunity for good pictures. So when the cabbie picked me up, we went looking for the Ladybird Johnson Wildflower Center (or something like that). It was too early in the spring for a lot of flowers to be blooming, but I got a few nice pictures, nothing spectacular.

However, they were advertising an art show at the on-site 'Learning Center', and I went in to see. Wow! The blurb at the entrance read, Wildflowers... Butterflies... Hummingbirds. Shou Ping creates her art with watercolors, but her real specialty is what she calls "paper sculpture". With a pair of scissors, she expresses herself and transforms an ordinary painting into a 3-dimensional work of art that speaks to the heart and the senses. Each unique, intricate piece is created over a lengthy period.

That doesn't do her artwork justice, and neither do these pictures but, oh well... Not only are the colors lovely and delicate, and the subjects rendered with an amazing realism, they're in 3-D!!! The folds and curves of the leaves and petals stand out from the background, giving each picture an amazing depth. Unbelievably beautiful, and I really considered buying one... but the prices started at $1,200 and went up. *sigh* (Not that I don't think they're worth it, but I couldn't afford it.)

Because of the 3-D work, each painting had a glass front, and it was difficult to get decent pictures while avoiding the glare from lights and windows. I could only manage eight out of a couple of dozen pieces, and two of those were poor quality, so deleted. And some of these proportions are a bit wonky, because I had to angle the camera to work around the glare. But I think you can get the effect, especially if you click through to the larger picture (link provided). Remember, the foreground curled leaves and petals really are; the butterfly's wings were free-standing from the background. Most of the shadows you see are cast by the 3-D parts of the picture, not painted in. Truly, truly gorgeous.

Right this way. )
starwatcher: Western windmill, clouds in background, trees around base. (Default)
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Several years ago, our local Arts & Crafts fair was graced by one Maria Zuni Plum, a Native American woman who makes "horsehair" pottery. Immediately after the piece is removed from the kiln, she layers it with pieces of horsehair (mane and tail). This melts from the continued heat of the pottery, leaving random free-form dark streaks on each piece, as well as a smoky haziness in some areas.

Read more... )
starwatcher: Western windmill, clouds in background, trees around base. (Default)
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Hobbs is hosting one of its twice-yearly Arts and Crafts Fairs this weekend. N and I had lunch together, then went out to wander past the booths. I was particularly eager to see if one particular vendor would be here again. The mother/daughter team makes "horsehair" pottery. The pots, animal figures, angels, etc are white, with twisty/curvy black lines on the surface, and sometimes a barely-there smoky-gray haze on part of the white background. It's made by removing the piece from the kiln and dropping actual horsehair (mane and tail) on the still-hot piece. The horsehair burns off, leaving the distinctive lines, and the smoke causes the hazy shading.

Since I "discovered" these ladies a year ago, I've bought a couple of their pieces -- a horse-head pair with manes flying for Mom at Christmas, and a dancing-on-his-tail dolphin for me. I have looked at a couple of wolf and panther figures, but none of them were quite *right*.

So, I was quite pleased to see them here again. I looked around and selected a diving-dolphin to go with my standing-on-his-tail dolphin. I paid the lady, chatted a bit, was walking away and... OH MY GOD!! How did I MISS it??? There was a wolf, lying down with head and ears erect, with BLUE eyes. He is absolutely BEAUTIFUL. Wolf on Arrowhead Rock shows the same figure, but *mine* has prettier markings on the wolf, and color shadings on the base. *g* (And I bought it for a LOT less; the guy running the website really marks them up.)

I'll be patient; one of these days I'll find a suitable panther figure to match the wolf. Maybe next time -- I told her I really want a compatible panther (size and attitude) also with blue eyes, and gave her my e-mail addy.

Meanwhile, Wolf will sit on top of the VCRs (yes, plural) right next to the TV where we can keep an eye on each other.

::sigh:: He is so-o-o-o pretty!

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